clifford geertz: “deep play: notes on the balinese cockfight” summary and review to start form the bottom line, clifford geertz’s essential notion expressed in. “Deep Play: Notes on the Balinese Cockfight” is one of Clifford Geertz’s most influential articles which illustrates not only the meaning of a given. Perhaps one of the most widely read anthropological essays, “Deep Play: Notes on the Balinese Cockfight” by Clifford Geertz is available.

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In some ways Geertz is one of the most well known anthropologists outside of the discipline, balinse my sense is that his influence within the discipline itself has waned. Clifford Geertz — was an American anthropologist and sociologist, who wrote extensively on traditional cultures and religions in Southeast Asia and North America.

Anthro Classics Online: Geertz’s Notes on the Balinese Cockfight | Savage Minds

The problem is to learn how to read them, not to tbe something else going on behind the scenes. Mailing List Subscribe to our mailing list and get the latest news from Garage.

It seems important to remember that Geertz was himself formed under Talcott Parsons, and that Interpretation of Culture was the big break with that tradition Religion of Java being pretty different.

Saturday, May 7, Clifford Geertz: Think Cold War, Vietnam War, anti-colonial struggles, rampant and sometimes justified suspicion that anthropologists were CIA agents up to God knows what. To start form the bottom line, Clifford Geertz ‘s essential notion expressed in ” Deep Play: From Wikipedia, the free encyclopedia. That what the cockfight has to say about Bali is not altogether without perception and the disquiet it expresses about the general pattern of Balinese life is not wholly without reason is attested by the fact [what a marvellous example of passive voice and absence of the author] that in two weeks of Decemberduring the upheavals following the unsuccessful coup in Djakarta, between forty and eighty thousand Balinese in a population of about two million were killed, largely by one another—the worst outburst in the country.

Notes on the Balinese Cockfight” — summary and review. Despite being illegal, cockfighting is a widespread and highly popular phenomenon in Bali, at least at the time “Deep Play: Notes on the Balinese Cockfight” was written Based on a large pool of observations and interviews, Geertz concludes that the cockfight as a cultural phenomenon offers rich anthropological material for the interpretation of the Balinese society.

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As the three of us came tumbling into the courtyard, his wife, who had apparently been through this sort of thing before, whipped out a table, a tablecloth, three chairs, and three cups of tea, and we all, without any explicit communication whatsoever, sat down, commenced to sip tea, and sought to compose ourselves. Comparisons with, for example, Cambodia leap to mind, together with the memory that amok was imported into English from Malay.

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The article starts with a heart-pounding chase. However, Geertz reminds us, neither winning nor losing in a cockfight can actually change the social status of the participant, remaining but a metaphor of real success of failure.

From January 7 it will be open as usual. Unknown November 29, at Notex amounts of money and status involved in the very brief cockfights make Balinese cockfighting “deep play.

It was, moreover, still possible for people who talked too openly about cockfighy topics to get a knock on the door in the middle of the night. Works cited in this post: The title of the essay is explained as a concept of British philosopher Jeremy Bentham —who defines “deep play” as a game with stakes so high that no rational person would engage in it.

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Leave a comment Filed onn Uncategorized Tagged as baliclifford geertzcockfightdeep playperformance. Rituals such as the Balinese cockfight, Geertz concludes, are a form of text which can be read.

The experience of hiding from the police in the courtyard of a local couple allowed Geertz to break notea tension between himself and the villagers, and perform all of the interviews and observation which make up The Interpretation of Cultures.

We constantly argue the superiority of the West, but at a closer look we seem to come out empty handed from our search for deep play. The actual cockfight is a human competition, delegated to animals, where the winner gets respect and admiration from the others, while money although Geertz does describe the complex betting system in great detail is secondary. People never bet against a cock from their own reference group.


Although gambling is a major and central part of the Balinese cockfight, Geertz argues that what is at stake is much more fundamental than just money, namely, prestige and status.

Deep Play: Notes on the Balinese Cockfight – Wikipedia

But it is a momentary gain or lost, the statues is only gained or lost momentarily following the fight but is maintained in the long run, with cockfights assisting in making sure of that. With bets geetrz even in the case of a deep fights, financial gain is not the center of the event, but rather everything which is expressed in the concept of “status”.

Subscribe to our mailing list and get the latest news from Garage. The last half of the essay describes the rituals of betting and concludes that the cockfight is the Balinese comment on themselves, as it embodies the network of social relationships in kin and village that govern traditional Balinese life.

Geertz shows how the Balinese cockfight serves as a cultural text which embodies, at least a portion of, what the real meaning of being Balinese is. The fights both represent and take part in forming the social and cultural structure of the Balinese people which are dramatized through the cockfight.

Cockfights were generally illegal in Indonesia when Geertz was doing his fieldwork there in the s. But I think the real appeal of this article is the way the reader is drawn into the process of anthropological discovery. I pay Geertz would admit that the interpretive process is heavily determined by all sort of outside factors, but he rarely makes this a factor in his writing.

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